Just like there are far fewer resources for learning TV writing than for learning to write features, there are an incredibly small number of resources for learning to write for animated TV. That’s why it is a great privilege to have animation writer Steven Darancette open a window for us into this field.
As an L.A.-based episodic TV animation writer, Steven has written for shows at Warner Bros. Nickelodeon, Cartoon Network and others, including such well known animated shows as Ozzy & Drix, and Krypto – The Superdog. He has also created over a dozen animated TV series pitches that are in varying stages of development. He has a lot of wisdom to share!
Why will learning to draw help you to write scripts for animation? How does the pay structure for daytime animation work, and why is it highly different from primetime animated shows? Is it true that you pitch by email, even without an agent? If so, how? What problems will a US writer face if they want to tap into the large Canadian animation market?
Steven has also written and produced features, and has a number of projects in development. He has some interesting advice on what to do with the unsold feature scripts you’re written, which are now collecting dust in your drawer…
Follow Steven on Twitter: @sdarancette
Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.
Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.
The stuff about how to pitch a script is a must-listen. Especially the part about BE READY TO PITCH at a moment’s notice because you never know. Also – the consumer products angle about tv screenwriting – good stuff I never thought of.
Comments are closed.