096 – Keto Shimizu (Co-Showrunner, DC’s Legends of Tomorrow)

This week, host Gray Jones catches up with Keto Shimizu, co-showrunner and EP for DC’s Legends of Tomorrow, and who formerly wrote for Arrow, Being Human, and The Cape.

Episode 096 is sponsored by Pilar Alessandra of onthepage.tv. Pilar is offering a 10% discount on any of her services: to get your 10% off, reach out to Pilar directly and mention the TV Writer Podcast.

Don’t forget that Gray interviewed Keto back in 2011 (episode 10), after she had just been staffed on The Cape. In that interview, she shares a lot about how she broke in to the industry. Check it out HERE or on any of the podcast aggregators.

Keto Shimizu biography:

Keto Shimizu was born in Princeton, NJ and spent much of her youth traveling the globe with a world music choir. A life-long fan of movies and comic books, she attended film school at Emerson College in Boston, then moved to Los Angeles in 2007 to pursue a career in the industry.

Following graduation she worked in post-production, using nights and weekends to follow her true passion: writing. Her hard work paid off, as she was accepted into NBC’s “Writers on the Verge” in 2009, and shortly thereafter was staffed on NBC’s The Cape. Following its cancellation, she moved on to SyFy’s Being Human where she spent two seasons.

She was then brought on to CW’s Arrow, and after three years writing for the DC comic adaptation she transferred to the spinoff Legends of Tomorrow where she is currently a writer and Executive Producer.

INDEX TO THE EPISODE:

2:18 – Intro, catching us up on her career since The Cape
11:15 – what was the experience like in the tough time after her first staff gig
13:59 – what to do between jobs
15:08 – using your genre calling card
18:27 – where she sees herself after Legends of Tomorrow
19:19 – the projects she’s currently developing
20:08 – on interviewing new writers
21:37 – on mentoring others, and general advice on pursuing a TV writing career
24:55 – how is the virus affecting Legends of Tomorrow

Follow Keto on Twitter: @ketomizu

You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

Upcoming weekly interviews will include Dan O’Shannon (EP of Cheers, Frasier, and Modern Family), Shawn Ryan(creator of Timeless and The Shield) and lots more!

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095 – Michael Narducci (Showrunner of The Originals)

This week, host Gray Jones interviews Michael Narducci, showrunner and EP for The Originals, co-EP for The Crossing, and writer and producer for The Vampire Diaries.

Episode 095 is sponsored by Pilar Alessandra of onthepage.tv. Pilar is offering a 10% discount on any of her services: to get your 10% off, reach out to Pilar directly and mention the TV Writer Podcast.

Michael Narducci biography:

Currently working on an as yet unannounced Netflix series, Michael recently developed Warriors through ABC Studios. Prior to that, he was the showrunner of The Originals for Warner Brothers TV, and also served as a writer on The Vampire Diaries, Medium, The 4400, and The Crossing.  
 
Michael was born and raised in Youngstown, Ohio. He attended Harvard University where he lettered in football and graduated magna cum laude with a degree in psychology. He went on to receive his MFA in Creative Writing from The University of Virginia. His short stories have appeared in The Texas Review, The Virginia Quarterly Review, Pembroke and Gadfly magazine. He taught creative writing at The Idyllwild Arts Academy for seven years and has also taught writing in Boston, Charlottesville, South Central Los Angeles, and South Korea. 

INDEX TO THE EPISODE:

2:01 – Interview start
2:38 – how COVID-19 is affecting him and his work
6:16 – how he went to Harvard and lettered in football but ended up doing an MFA in creative writing
8:38 – how he published short stories, taught in school for several years, and started writing specs
11:50 – how the Warner Brothers writing fellowship helped him get his first staff gig and an agent
14:43 – on landing the staff gig without going the traditional route of being an assistant
18:15 – on having a manager since before the WB program, and what he feels managers offer
20:18 – in between series, what happens? Details about show runner meetings and pitching.
22:57 – landing the gig on Medium after a lot of unsuccessful interviews
24:49 – landing the gig on Vampire Diaries, and what made that show different
27:51 – traveling to New Orleans to research the Originals spinoff, moving up to EP
28:53 – getting an overall deal, and consulting on The Crossing
30:54 – on development
31:09 – what showrunners are looking for in interviews
32:42 – Michael shares about many mentors who have helped him along the way
36:04 – on being a learner, and a team player – references the book Difficult Men, and the masculine vs feminine style of showrunning
39:28 – his showrunning on The Originals, mentoring others
41:30 – on having an overriding principal idea for each season, with examples from each season of The Originals
45:08 – why mentoring and giving back is important to him, and the value of story
50:00 – on development, and some of the projects he has developed
56:17 – what he is most passionate about – common cause, ensemble shows where people begin as adversaries but grow together, and making people care about characters and story.
1:00:22 – hardest thing about being a TV writer
1:04:10 – best part about being a TV writer – the “what if” brainstorming sessions, and collaboration with other writers to develop story, working with incredible actors and seeing it come to life on scene .
1:06:26 – what is positive in the industry and what needs to change?
1:07:42 – how much more diversity there is in writers rooms now, and how it is a great time to break in
1:09:35 – advice to greener writers – what he looks for when interviewing and reading scripts, and mistakes he sees people making, including on social media.

Follow Michael on Twitter: @MichaelNarducci

You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

Upcoming weekly interviews will include Keto Shimizu (EP, Legends of Tomorrow), Dan O’Shannon (EP of Cheers, Frasier, and Modern Family), Shawn Ryan (creator of Timeless and The Shield) and lots more!

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094 – Arika Lisanne Mittman (EP of Paradise Lost, Timeless)

This week, host Gray Jones interviews Arika Lisanne Mittman, EP of Paradise Lost on Spectrum Originals, and Timeless. She also wrote and produced on Elementary and Dexter.

Episode 094 is sponsored by Pilar Alessandra of onthepage.tv. Pilar is offering a 10% discount on any of her services: to get your 10% off, reach out to Pilar directly and mention the TV Writer Podcast.

Arika got her start as an assistant on Dawson’s Creek… though she would not get her first staff gig for several years, she landed an agent during that time.

Her career took a detour when she was asked to head up a web initiative for Sony, producing dramatic short series for their website. This experience, combined with many years networking as an assistant led to her first staff gig on South of Nowhere. One of her first scripts there led to a WGA Award nomination and a Humanitas Award.

She tells about several series where she was stuck at the staff writer level, but how she was able to catch up on Medium and Dexter, which was really the show that put her on the map.

After several seasons of Elementary, and one season of Timeless, she was finally ready for the jump to showrunner — and shares about her first experience showrunning on Timeless, a show she was very passionate about, and then co-showrunning the new Spectrum Original Paradise Lost and getting it off the ground.

Arika is very open about the challenges of balancing a family with a busy TV career, and shares great tips about how to win in showrunner interviews, on the page, and in the writer’s room.

INDEX TO THE EPISODE:

1:58 – How is the virus affecting you? How will this impact the industry going forward — is there a “new normal” that will be a different way of doing business?
8:18 – Her unconventional start in the industry, pioneering into online content for Sony; how she has seen some parallels in Twitter and networking directly with fans.
16:26 – About South of Nowhere, her first staff writing gig, and how she was nominated for a WGA award and won a Humanitas award for one of her first scripts.
20:21 – Her experience getting an agent while still an assistant at Dawson’s Creek; got fired by that agent, and signed with another later on.
22:33 – How valuable it is to be an assistant, and what your attitude and work ethic needs to be — how this network will be what gets you work later on.
24:13 – On staff, now what? Her trials and tribulations on her first few shows… repeating the staff level three times, shows getting cancelled, and how Dexter changed the game.
30:48 – On developing pilots, while still working on Dexter and having 2 young kids.
32:53 – On getting offered a position on Elementary
34:17 – How it wasn’t easy – some of her challenges working her way up.
41:12 – Landing the gig on Timeless and becoming showrunner for the first time — how being passionate about the show is a key to getting the job, and the experience from the start of the show to its cancellation and movie wrap up.
51:40 – on Paradise Lost, co-showrunning a show, starting from scratch and staffing it.
53:24 – building a diverse staff.
56:25 – Help for greener writers — what she looks for in an interview, being enthusiastic about the project and being able to articulate why, as well as what you bring to the table.
1:00:49 – What she looks for on the page.
1:02:38 – Juggling young kids and a writing room, or working from home developing projects — how does she manage? What is her writing habit?
1:04:11 – Final thoughts — general career advice to greener writers.

Follow Arika on Twitter: @arikalisanne

You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

Upcoming weekly interviews will include Michael Narducci (EP, The Originals), Keto Shimizu (EP, Legends of Tomorrow), Dan O’Shannon (EP of Cheers, Frasier, and Modern Family) and lots more!

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093 – Sarah Watson (Creator of The Bold Type, Author of Most Likely)

This week, host Gray Jones returns to the Skype format due to the Coronavirus quarantine, but you’re sure to love his interview with Sarah Watson, creator of The Bold Type and executive producer on Parentood!

Episode 093 is sponsored by Pilar Alessandra of onthepage.tv. Pilar is offering a 10% discount on her interactive online class, Writing the First Draft, which started April 4th, but can be joined any time up to the second class on April 11th. To get your 10% off, use the code onthepage10 at checkout. 

Sarah is very open about the challenges along the way, and how she was able to spin some of the toughest experiences into victories, including her incredibly hopeful young adult novel, Most Likely. Just like the message of the book, she is optimistic that the world is changing for the better, and that the upcoming generation will be the key.

Learn about the innovative way she turned a class she taught at UCLA into a virtual writers room… how getting on staff wasn’t the Holy Grail, but each new opportunity taught her invaluable lessons… how getting onto a network show really propelled her career forward, and how she really found her voice working with Jason Katims on Parenthood… how and why she cancelled a meeting and went straight to Disneyland to buy a season’s pass… how taking a year off and being unavailable turned her into a hot commodity, even leading to a successful pitch to Steven Spielbergand an option on her book!

She also talks about what it was like to be in production on a pilot and getting ready for the big launch of her book, and having to shut it all down overnight because of COVID-19.

INDEX TO THE EPISODE:

0:00 – Introduction
2:57 – Interview starts
3:15 – Shooting pilot, book launch interrupted by COVID-19
9:45 – TV writing course Sarah teaches at UCLA, and why that program is special
13:38 – How Sarah got started, working on Rachel’s Room
15:23 – Early days, how Sarah got on staff
18:44 – How Sarah’s career really took off when she landed a gig on a network show
24:21 – Working on The Middleman with Javi Grillo-Marxuach
26:37 – Writing on Parenthood, and how she really found her voice
29:14 – How she got an overall deal and started to develop shows
34:50 – All the details about developing The Bold Type which is on its fourth season
38:38 – How a soul crushing year led to a hopeful YA novel
44:20 – Details about her untitled re-enactment pilot, and pitching to Steven Spielberg
50:59 – On adapting her YA novel for Amazon
51:45 – Advice to greener writers

Follow Sarah on Twitter: @SarahWatson42

Speaking of COVID-19, you can help with the ongoing costs of bringing these weekly podcasts to you, by becoming a patron of the podcast – for as little as $1/month! There are many reward levels. CLICK HERE to find out more.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

Upcoming weekly interviews will include Arika Lisanne Mittman (Paradise Lost, Timeless), Michael Narducci (The Originals), and lots more!

 

WATCH NOW:

LISTEN NOW:

092 – Bob Goodman (Creator of The Zeta Project, EP of Elementary)

The TV Writer Podcast is back, and better than before! In our re-launch, host Gray Jones will be primarily interviewing showrunners and EP level writers. We’ll be moving away from the focus on the newbie writer, and aiming more at the oft-neglected staff to mid-level writer. There is now a dedicated audio-only feed at iTunes, Podbean, Spotify and coming soon to Pandora. You can access the video version via YouTube, iTunes, Podbean, and on the web at tvwriterpodcast.com. Follow @GrayJones on Twitter for updates on upcoming interviews, and be sure to subscribe, like, and post reviews on all of these aggregators. We’ll be bringing WEEKLY episodes every Monday during the stay-at-home order due to Coronavirus / COVID-19.

In episode 092, sponsored by Pilar Alessandra of onthepage.tv, host Gray Jones interviews Bob Goodman, winner of two Daytime Emmy Awards, creator of The Zeta Project, EP of Elementary and writer and Supervising Producer for Warehouse 13. Speaking of On The Page, Pilar is offering a 10% discount on her interactive online class, Writing the First Draft, which starts April 4th. To get your 10% off, use the code onthepage10 at checkout. 

Topics of discussion in the interview included: 

• What to consider when choosing college programs.
• Singing the praises of the Children of Tendu podcast.
• The 5 most important things to succeed in Hollywood.
• How to avoid getting pigeon-holed.
• How to pick the right jobs for your resume.
• Why he feels we need to purge “paying your dues” from our lexicon.
• The glut of Peak TV with 500+ shows — why it is more competitive than ever.
• Going from animated show creator / showrunner to 1 hour drama staff writer.
• About development at the EP level.
• About picking your battles with the network.
• How a show is staffed.
• Do’s and don’ts in staffing meetings.
• How your job is to get into the showrunner’s head.
• What needs to be on the page when staffing, and what is the kiss of death?
• On why taking the long view is so important when looking at your career.

If you are interested in breaking in, check out Bob’s other excellent interviews on episode 8 of the Creative Writing Career podcast, and on Storybeat with Steve Cuden.

Be sure to watch until the end, and listen for the contest code — if you follow GrayJones and tweet the contest code before Friday, April 3rd, you will be entered into a draw to win… 2 rolls of toilet paper! Other prizes may be added too.

Bob Goodman official bio:

Bob Goodman is a television writer-producer who most recently served as Executive Producer on the hit CBS TV series Elementary, and before that he wrote and produced on Syfy’s Warehouse 13.

Prior to his work in live-action, Bob wrote for many years in animation, primarily as a staffer at Warner Bros. His credits include Batman, Superman, Batman Beyond, Justice League Unlimited and Ben Ten; plus he created and ran the Batman Beyond spin-off The Zeta Project. He’s written web-series and videogames including the Dungeons & Dragons game Demon Stone, and several direct-to-DVD animated features including the two-part Batman: The Dark Knight Returns.

Bob has received two Daytime Emmy Awards, as well as an Annie Award nomination for Individual Achievement in Writing. He currently has a pilot in development at ABC.

Follow Bob on Twitter: @b0bg00dman

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

Upcoming weekly interviews will include Sarah Watson (The Bold Type, The Goonies reboot), Arika Lisanne Mittman (Paradise Lost, Timeless), Michael Narducci (The Originals), and lots more!

PLEASE NOTE: ON THE FIRST VERSION OF THE PODCAST GRAPHIC, BOB WAS INCORRECTLY SHOWN AS EXECUTIVE PRODUCER OF WAREHOUSE 13. THIS WAS QUICKLY CORRECTED.

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061 – David Barlow (King, Nothing Too Good For A Cowboy)

As a production manager, David Barlow got his break into writing by a very unusual method… pitching jokes on set! Since then, he has created two series, including the long running Seeing Things, and has over 30 years experience writing in LA, Vancouver, and Toronto.

Most recently, David Barlow was a co-executive producer and writer on the Showcase series King. Previously, he was a producer-writer on the CBC series The Border – twice nominated for the Best Dramatic Series Gemini. He has co-created two television series – Nothing Good Too for a Cowboy (with Charles Lazer), and Seeing Things (with Louis del Grande). His series credits as a story editor and/or writer include Durham County, Blue Murder, Cold Squad, and North of 60.

Barlow may be the only producer to receive Gemini nominations for both Best Dramatic Series (E.N.G.) and Best Sports Program in the same year. The documentary was ‘Chasing the Dream,’ produced with Peter Raymont and William Thomas.

Barlow has received two Gemini Awards for Best Comedy Series (‘Seeing Things’), a Gemini for Best Writing in a Dramatic Series (Max Glick), the Academy of Canadian Cinema & Television’s Margaret Collier Award for his body of work as a screenwriter, and the WGC’s Writer’s Block Award for service to Canadian screenwriters.

He is also a faculty member of the Advanced Television and Film and Media Arts programs at Sheridan College, Oakville and has conducted professional screenwriting workshops across Canada, in Singapore, and in Dublin.

David has lots of great tips on how to break in… you don’t want to miss this one!

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.