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Dan Sefton Bio:
Dan Sefton is a prolific television writer who founded Seven Seas Films in 2016 alongside producer Simon Lupton, with the aim of creating and producing TV drama for the UK and international markets, putting the writer at the center of the process. Together they have several projects in development, including “The last Days of Marilyn,” in partnership with 101 Studios.
Previously an A&E doctor, he started his television career as a hobby; writing episodes of UK medical dramas such as “Doctors,” “Casualty” and “Holby City.” Delving into the world of scripted drama, Dan also wrote episodes of Harlan Coben’s “The Five” (Sky One), “Death in Paradise” (BBC One), “Monarch of the Glen” (BBC One), “Mr Selfridge” (ITV) and “Secret Diary of a Call Girl” (ITV2).
Having written comedy series “Porters” for UKTV to critical acclaim, Dan went on to write the original four-part drama series, “Delicious,” starring Dawn French, Emilia Fox and Iain Glen for Bandit TV and Sky One. He also wrote four-part thriller “Trust Me” for Red Productions and BBC One, starring Jodie Whittaker, which was broadcast in August 2017.
Most recently, Dan’s writing credits include Tiger Aspect’s “The Good Karma Hospital,” now in its third series on ITV, and “The Mallorca Files” with Cosmopolitan Pictures and ProSieben for BBC One which is in production with series two.
In May 2019, Great Point, the UK’s leading independent media and investment firm, invested in Seven Seas Films.
INDEX TO THE EPISODE:
1:42 – Interview start… how Dan started out as a medical doctor, and amazingly, continues to practice medicine while writing. How the first script he ever wrote was produced, for the UK show “Doctors.” Many medical shows followed… Dan discusses the difference between his real life experiences and the shows the end up on TV, how he was actually more appealing to producers when he was practicing medicine than when he quit it, and how he maintains the balance between the two.
9:41 – Dan discusses how representation works in the UK, and his experience with representation.
12:19 – How freelance scripts work in the UK… how there is not as much of a writing room in the UK, but how there are non-writing creative producers who do a lot of the series building and planning.
17:27 – How he made the jump to creating and running shows.
21:40 – The process from pitch to production of how he creates shows. How in the UK, you work much more with independent production companies to pitch shows to the network… discussion on the UK process is similar to how reality TV is developed in the US.
26:40 – Why and how he created his own production company.
29:29 – Sponsor break
30:26 – Differences between the US and the UK in how a show is run… how UK TV is much more of a writer auteur medium, but the US excels at delivering volume. Could a US writing room work in the UK?
36:54 – Dan has worked in several genres… is that easier in the UK?
40:40 – With shorter seasons in the UK, is it easier for a younger writer to get a show off the ground? How pairing with established production companies can help. How his company Seven Seas looks for new unique voices, but expects people to have done a lot of homework before walking in the door.
49:37 – Does he see many writers crossing the pond, one way or the other? Mostly, he sees showrunners from the US attracted to the writer-as-auteur system.
52:44 – Advice to greener writers… understand that you are the product, not just your script. What do you bring to the table? You must be able to sell that too. Also, know what you are getting into, and be willing to work very hard. It’s better to write a fresh take on a genre than to reinvent the wheel. And… train yourself to work very quickly, even if it’s not for a specific deadline.
Follow Dan on Twitter: @dansefton
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